top of page

This piece is based on the concept of visually recording played sounds. It is comprised by three elements: an instrument as a sculpture, playing as performance, and abstract paintings as records of the performance, all forming a single artwork. 

By systematizing music theory and color theory correlating the roles of each color with those of each note, it logically records the performance. 

It follows a dual translation process that the music in my mind is played, and those sounds are visually transformed by colors. Through this process, the original form undergoes significant changes, loses some meanings and gains additional meanings.

Chromanote

Copper pipes, MDF board
1550×1200 (mm)

bottom of page